A DELICATE BALANCE, Edward Albee's Pulitzer Prize and Tony-winning masterwork returns to Broadway with an extraordinary cast.
In A DELICATE BALANCE, Agnes (Glenn Close) and Tobias (John Lithgow), a long-married couple, must maintain their equilibrium as over the course of a weekend they welcome home their 36-year-old daughter (Martha Plimpton) after the collapse of her fourth marriage, and give shelter to their best friends (Bob Balaban and Clare Higgins), all the while tolerating Agnes' alcoholic sister Claire (Lindsay Duncan).
The Daily News calls A DELICATE BALANCE "a beautiful play- easily Albee's best and most mature, filled with humor and compassion and touched with poetry." It "proves that old-fashioned stage virtues- originality of voice, depth of feeling, richness of language- can still provide a thrill" (TIME Magazine). "If you really care about serious theatre, brilliant theatre, great acting, and great playwriting, this is the only play to see on Broadway" (New York Post).
At its best, it's thought-provoking and sometimes challenging, but it takes a long time to get moving, and I wonder whether modern-day audiences will be willing to wait for it...While the notion that well-to-do WASPs are dead inside is perhaps the least little bit overfamiliar, this is still a fairly promising setup for a theater-of-the-absurd comedy...'A Delicate Balance' comes across like a dramatically static rewrite of 'Virginia Woolf' with rather less drinking and much less cursing...Pam MacKinnon, who staged last year's outstanding Broadway revival of 'Virginia Woolf,' is Mr. Albee's preferred director, so we can assume that this direct, unmannered production is what the author had in mind...Ms. Close's performance is quiet, tasteful and underprojected, not surprising for an actor who has been absent from the stage for so long. Mr. Lithgow, by contrast, is in extraordinary form, by turns tightly inhibited and almost shockingly anguished.
There are few things more terrifying than a calm Glenn Close...Agnes, who sees it as her task to maintain order, never entirely loses her cool. But in Close's revelatory performance, she evolves from a woman who seems almost preternaturally composed -- even as she contemplates going mad, in her first lines -- to a more intimidating and sadder creature striving desperately for 'maintenance,' as she puts it...MacKinnon certainly doesn't shy away from Balance's absurdist leanings...Tobias and Agnes and their decades of baggage are central throughout, of course, and MacKinnon and her actors make it abundantly clear that this marriage is not a loveless one. The tenderness and regret in Lithgow's expression as Tobias looks at his wife, and the barely repressed agony Close brings to some lines, convey something greater than tolerance or co-dependence. These fine actors find the warmth in Albee's stinging message. It's a pleasure to see them in roles that accommodate both their intensity and their flair for nuance.
1966 | Broadway |
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1996 | Broadway |
Broadway Revival Broadway |
2014 | Broadway |
Broadway Revival Broadway |
2022 | Off-Broadway |
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