Review: MUCH ADO ABOUT NOTHING, Watermill Theatre
Much Ado About Nothing is a quintessential Shakespeare farce: mistaken identities, intertwining romances, betrayals and deception all wrapped up with a neat little bow by the end. The same can be said for the screwball comedies that dominated 1930’s and 40’s cinema, so it’s no surprise why Tom Wentworth would want to bring the events of Renaissance-era Messina to the backstage gossip of Golden Age Hollywood.
BWW Review: THE WICKER HUSBAND, The Watermill Theatre
The Wicker Husband is a folk musical written by Rhys Jennings, with music by Darren Clark. Half world-premiere, half returning reboot, its original March 2020 run was cut short when theatres shut for the pandemic. Now it’s back in all its heartening glory and, from start to finish, it delivers in droves.
AMELIE THE MUSICAL Transfers to the West End in May 2021
Following its opening at the Watermill Theatre, a critically acclaimed sell-out tour in 2019, a highly successful Christmas season at The Other Palace in 2019, a Grammy nomination and 3 Olivier Award nominations, Amélie The Musical arrives in the heart of the West End this summer.
BWW Review: ASSASSINS, Watermill Theatre
Assassins is never less than engaging and interesting, for all its structural flaws. Worth the ticket price just to see the virtuosity of this super-talented cast.
Beth Steel's WONDERLAND Comes Home to Nottingham Playhouse
Nottingham Playhouse Theatre Company confirms full cast of Adam Penford's first show as Artistic Director, Wonderland including local actors Chris Ashby who previously played the lead in the National Theatre production of The Curious Incident of the Dog in the Night-Time and was cast through the Playhouse open auditions, and Joshua Glenister who was a member of Nottingham Playhouse Youth Theatre.