Review: THE DROWSY CHAPERONE at Bastrop Opera House
The musicals of the 1920s-1940s are rich territory for parody since many imported the stylistic elements (vaudeville, dance hall style, revue, et al.) of popular entertainment of the era to carry the shows, often disadvantaging well-developed plot lines and complex characters.
Interview: Theatre Life with Psalmayene 24
Today’s subject Psalmayene 24 is someone we can aptly classify as the whole package when we talk about artists in the DC theatre community. He is an accomplished writer/actor/performer and educator whose work has been enjoyed by audiences of all ages over the years. Currently Psalmayene 24 is the director of Arena Stage’s current Power Play entitled Tempestuous Elements. The show is currently playing in the company’s Fichandler space through March 17th.
Surging's THE DROWSY CHAPERONE Kicks Off 2024 at Edge
The full cast and creative team has been announced for Surging Films & Theatrics 2024 production of The Drowsy Chaperone (Book by Bob Martin and Don McKellar with Music and Lyrics by Lisa Lambert and Greg Morrison) at The Edge Theater in Chicago March 15th - 30th. Only 10 performances!
A Year in Rear View: Broadway Training Center of Westchester
Broadway Training Center of Westchester (BTC) has been spreading the love of the performing arts through high-quality theater education and stellar public performances for over three decades. Celebrating the Co-Artistic Direction of Jason Brantman and Fiona Santos for 20 years this season, the school is taking this moment to reflect on last year's production accomplishments in the rearview.
Review: THE DROWSY CHAPERONE is Anything but Drowsy at MAD Theatre of Tampa
The Drowsy Chaperone is a musical comedy, about a musical within a comedy, featuring music and lyrics by Lisa Lambert and Greg Morrison. With a book by Bob Martin and Don McKellar, this musical tells the story of a fictional 1928 musical. The story itself centers around a character, 'Man in Chair,' as he describes to the audience his trepidations in life and this overwhelming feeling of sadness and foreboding which he calls 'Blue.' So over the course of two hours the 'Man in Chair,' takes the audience on a journey using the only thing he knows that will cheer him up, his love of Musical Theatre tunes, specifically classics such as The Drowsy Chaperone.