Hawkins, 1959: a regular town with regular worries. Young Jim Hopper’s car won’t start, Bob Newby’s sister won’t take his radio show seriously and Joyce Maldonado just wants to graduate and get the hell out of town. When new student Henry Creel arrives, his family finds that a fresh start isn’t so easy… and the shadows of the past have a very long reach.
Brought to life by a multi-award-winning creative team, who take theatrical storytelling and stagecraft to a whole new dimension, this gripping new adventure will take you right back to the beginning of the Stranger Things story – and may hold the key to the end.
It starts with those floating red letters and that electro-ethereal music. The intro creates the surreal effect of Netflix’s sci-fi juggernaut being brought to life as a stage-sized facsimile before our eyes. But the big surprise about this prequel to the TV series, about high-schoolers who tap into the dangerous world of the Upside Down, is that it is neither derivative nor an exercise in imitation. This is breathtaking theatre with its own arresting imagination.
“We need something a little theatrical.” Boy, does excited Bob Newby (Christopher Buckley) get his wish. He’s trying to solve a staging problem in “The Dark of the Moon,” the school play he and the other kids are secretly putting on in Hawkins, Ind., in 1959. But audiences watching “Stranger Things: The First Shadow” will likely greet the line with a wry smile because immense, intense theatricality is there for all to see. Are the three plot-driven hours of virtuoso, state-of-the-art stagecraft always matched by sustained drama? Not quite. Does that matter? Not at all.
2023 | West End |
West End |
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