A Florida police station in the middle of the night. Two parents searching for answers. AMERICAN SON is a gripping tale about who we are as a nation, and how we deal with family relationships, love, loss, and identity.
Playwright Demos-Brown is a clever phrase-maker, and he delights in using language that vividly illustrates the social and educational gulf between Larkin and Kendra. Lacking a common language, they fail to communicate on even the most basic level. The cop's awkward efforts to find out if Jamal goes by any other names is a sad but funny example of that lack of communication: 'If he was taken into custody under a different alias... Gave a different... you know... different from some other time... is all I'm sayin'...' The concept of a street name is so totally foreign to Kendra that she honestly doesn't understand what Officer Larkin is asking her.
American Son is most affecting when it is personal, not political: When we understand that Jamal, a prep school kid off to West Point in the fall, has recently cornrowed his hair, started wearing baggy jeans, and adopted what Scott calls, 'that stupid, loping, surly walk' not merely as an exploration of identity, but as a way of differentiating himself from his father, who has let the family down by moving out. Was this reactionary change in Jamal's attitude and appearance a factor in the trouble he found himself in that night?
2018 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2019 | Drama League Awards | Distinguished Performance Award | Kerry Washington |
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